Boxford’s magical Masques

Although marking 25 years in its current form, the Boxford Masques has a history of more than a century in which it has brought together generations of families, friends and the wider village community.

In a return to its roots, writer/director Ade Morris started this project by looking back at the life and work of Masques’ founder Charlotte Peake. In doing so, The Healing Tree draws together stories from such diverse sources as Arthurian legend, Shakespeare, Cervantes, Hardy, Joyce and more to celebrate the power of theatre and storytelling.

Comprising local residents from all walks of life, the fifty or so strong team of actors, musicians and volunteers are truly exceptional. To begin to highlight some over others would be in conflict with the spirit of this extraordinary production, which boasts outstanding performances from all involved, whether they happen to have trained in performing arts, law or have not yet passed their SATs.

Very much in the tradition of masque plays dating back over five hundred years, The Healing Tree is a feast of original drama, dance and music. Among the myth, magic and mayhem, there are opportunities for some clever satire on contemporary social mores, middle-class apathy and the snake-oil salesmanship of celebrity politics. Plus some well placed local references that keep it rooted in this village, at this time.

There is a truism in theatre-making that, if the performers on stage are genuinely having a good time, then the audience will have a good time too. And this is powerfully borne-out here, with apparently limitless generosity and warmth from all involved. We also talk a lot about taking risks in theatre and The Healing Tree does challenge its audience, asking us to consider if, in the persistent rhetoric of progress and profit, we are losing humanity, heritage and compassion - perhaps those priceless things of greatest value.

Humble yet professional, inclusive, skilful, and gently revelatory The Healing Tree accomplishes everything a community play should be. It embodies the narrative that it celebrates, weaving stories, traditions and memories in joyous unity. It is a slick and entertaining piece, which reminds us to prioritise people and planet over fear and greed. It is truly a magical experience.

TONY TRIGWELL-JONES