A truly exceptional company

The Watermill’s senior youth company brought to life a new adaptation of Patrick Ness’ iconic magical-realist tale of grief, love and loss – A Monster Calls.

Following the story of Connie as she struggles to come to terms with her mother’s terminal illness, the play deals with some tough, adult themes which the young company performs with sensitivity and professionalism.

This is a true ensemble production, with some exquisite movement sequences reminiscent of Complicité’s approach to theatre – it featured flying chairs, dream-like mazes and the seamless creation of moments that appear and disappear effortlessly.

This helped emphasise the elemental magical themes of the story, complemented by the thoughtful production design from The Watermill’s adult support team.

While every performance was of the highest standard for any youth production, special mention must go to the young actors taking on the responsibility of the lead roles.

Grace Moran’s Connie drew out the complexity of a child in crisis – showing a tough, independent and sassy façade belying the pain and vulnerability beneath.

George Craik (who also assisted with the sound design) and Katie McGall showed extraordinary physicality as the Monster, perfectly pitching their interpretation to simultaneously highlight the power and the ephemeral nature of the ancient yew tree.

Anwen Davies was truly exceptional as Connie’s mother, reconciling her own suffering with wanting to protect her daughter. She showed incredible maturity and nuance in a performance one might expect from an actor with years more experience.

Likewise, Joshua Allen as Connie’s absent father and Ella Wilson, as her maternal grandma were able to portray complex relationships within tragic circumstances, with empathy and understanding.

Emma Kirkaldy, Sophie Jenner and Alexander Lees were the perfect trio of bullies, making Connie’s life hell , while Mia Pitts reflected the strength of her best friend Lily, standing by her through thick and thin.

Mabel Rayner was sensitive and understanding as teacher Miss Godfrey, while Harrison Morris’ Mr Marl was gently comic, providing light relief without stealing the show.

The three Storytellers showed incredible physical control and ensemble skill, working together with the rest of the company to create so many visually arresting moments within the play.

Congratulations to this truly excellent company and to director Angharad Arnott Phillips (with support from Matty Green) for a powerful and affecting production.

TONY TRIGWELL-JONES