Pint-sized classic
Ravensbury Players: Rebecca, at the Memorial Hall Ramsbury, from Wednesday, November 17 to Saturday, November 20
The story of Rebecca is familiar from both the book and the film, so to
squeeze all the action into a single room for the play sounds as though it
could be claustrophobic, but it actually works well.
Maxim de Winter returns from a holiday in the south of France with a new
young bride, who hasnt realised what she is letting herself in for. You
couldnt help feeling sorry for shy, mousy Mrs de Winter as she was put down
and humiliated by the guests and staff at Manderley. But as the complicated
story unfolds, she increases in stature as she and the audience start to
understand what has happened with Rebecca, Maxims former wife.
Tim Beckwith gave a rather understated performance as Maxim, who seemed to
be a man of principle at first but in the end got away with murder. Jessica
Perkins was outstanding as Mrs de Winter; her hurt and bewilderment at the
insensitivity of the others were beautifully portrayed, and this was a
performance of great subtlety.
There were really no redeeming features in Mrs Danvers, very well played by
Chris Perkins who showed her as sinister, supercilious and bitter. The
scenes between her and Mrs de Winter were riveting.
Cora Jackson and David Hobbs were very good as Maxims sister Bea and
brother-in-law Giles, and brought a welcome touch of comedy. There were good
performances from Peter Kearns, a bit snotty as Frith the world-weary
butler, and from Gaye Adolph as Alice the maid (with a fruity Cornish
accent). Graham Curtis was suitable nasty as the cad Jack Favell.
Dennis White was good as Tabb, the boat builder. This was his first
performance with Ravensbury, and the other newcomers were Steve Nicholls as
Crawley and Barry Mercer as Colonel Julyan.
Michael Franklins set had a good period feel, and the fire at the end was
effective. The pace in Sheila Hobbs production flagged as time went on,
particularly in Act Three, but this was made up for by the strong
performances of the women.
PAUL SHAVE |